You could even choose to add more than two fades, combining, for example, a linear and a logarithmic fade-down, such that the fade starts with one and then ends with another. To perform a crossfade you must add both a fade-up and a fade-down to the respective layers rather than simply applying a generic crossfade to the two as you might in other DAWs. Interestingly, layers can be used not only to mix in with the other layers, but to modulate the other layers using ring modulation – not perhaps a mastering engineer’s go-to option, but very interesting for sound designers wanting to create unusual effects.įades and effects can be added to each layer simply by dragging them from a list onto the desired layer. Each layer can be at any bit-depth or sample rate, with conversion handled by iZotope’s sample rate-conversion algorithms. Layers can be arranged adjacent or on top of each other, enabling you to mix multiple sounds together as if in a multitrack mix engine to perform crossfades between tracks or to keep each of the tracks isolated. Tracks are added to the Assets sidebar, from where they can be placed into the project as layers.
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The user guide (available both as a PDF and as a free iBook file) is a little basic, but Audiofile is putting up video tutorials which make everything look so simple that once you know how to do something it’s often difficult to understand why you struggled in the first place.
We didn’t immediately find Triumph all that intuitive – the layers system and Actions menu, for example, take a little getting used to.
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